the amphora with its two swans. Retention also is signaled by the golden staffage. On closer inspection,you discover the elaborate details of the glazed goose-neck and the finely modeled feathering, painted faces, indicated nostrils. With a narrow foot, the vase stands on a platform and leaves its silhouette almost without decoration.
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Dresden: Authentic and Unique, Excessively and Prestigiously. You must'nt be a porcelain specialist to recognise these pieces of art as of the Dresden genre - not to mistake with the Viennese manner or the gesture of Meißen.
has begun for a long time before the real foundation by Johann Carl Gottlieb Thieme in 1872. In a period of bloom in which in Dresden many house painters white china (Weissware) decorated, also produced Johann Carl Gottlieb Thieme decorative porcelain which he expelled with great success also in his small art dealer's shop and classical art action
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