for the dining table are created by Puiforcat since beginning. The draughts of the 20s are impressed by the decorative art with her abstracted décor and her predilection for valuable materials - silver and precious stones. The Paris manufacture continues the aesthetic tradition with the emphatically handcrafted dining collection Jacaranda. However, tasting and oenology characterize the silver accessories of the last years. The Collection Champagne and the Timbale a Cognac define the pleasure with the subtle creation of the silver objects anew.
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in Paris in 1820 by Emile Puiforcat and his two cousins, owes most of its renown to Jean Puiforcat, from the fourth generation of the family, who was to write the most beautiful pages of its history almost a century later, and would establish the company in the avant-garde of modern silverwork.
Driven by his father, Louis-Victor Puiforcat, the company began evolving towards the high-end of the silversmith’s trade in the late nineteenth century, recreating eighteenth-century masterpieces from his collection that are now exhibited at the Louvre museum in Paris. His son Jean was named a master silversmith in 1920.
change that characterised the period between the wars, he was one of the founders of the Union des artistes modernes in 1929, and was a friend of René Herbst, le Corbusier, Charlotte Perriand and Pierre Chareau. He was passionate about sculpture and invented a revolutionary formal language that advocated adapting form to suit function. His unfussy style – characterised by pure, architectural lines, notable simplicity and the marriage of solid silver with other precious materials such as exotic woods, semi-precious stones and shagreen – is inspired by Art déco and was the founding stone for contemporary high-end silverwork. His work is regularly revived and still exudes the same spirit we see in contemporary in-house collections.
Puiforcat came under the wing of the Hermès group in 1993 and, sustained by an exceptional know-how, it now works on re-launching its most beautiful heritage pieces as well as devising tomorrow’s classics with the help of present-day designers.
designed by Patrick Jouin and launched in 2010, has already been included in the permanent collections of the Museum at the Pompidou Centre in Paris and the Museum of Arts and Design in New York. Over and above the art of tableware, the house of Puiforcat intends to continue using its almost two-hundred-year-old expertise to serve a complete “silversmith’s art of living” particularly with respect to the art of taste and of decoration. The champagne beaker, a unique tasting tool created in 1999, and the range of kitchen knives conceived with Pierre Gagnaire in 2011, illustrate this commitment.
Silver is the first metal of which cutleries were made of and the material has the reputation to possess bactericidal qualities. A sterling cutlery of massive silver is even after decades an object of great value. Depending on the execution real silver objects are not made out of pure silver, but material silver (Ag) are mixed with copper (Cu). The proportionate mass of this alloy is specified in thousandth. So the 800th silver contains 80% of silver and 20% of copper, the 925th silver – also called sterling silver – 7.5% of copper and so on. Therefore, the color of the silver also differs slightly, depending to the percentage of copper in the alloy. Mainly for optical reasons massive silver is galvanized often with a layer of pure silver. Silver is marked with the punch which refers to the punch law of the country of origin. In Germany the imperial crown and the half moon has to be beside the brand of the manufacturer together with the thousandth number as a token for the real silver. In France, however, the head of Minerva in an octagon beside the punch of the manufacture is the juridically correct sign.
Hallmark Sterling Silver Puiforcat
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